3.
In this dream, it’s 2010 and I’m not even a dog. I’m just a theatre maker. We are in a theatre. In fact we’re in this theatre, and it’s now, and we’re actually here, and it’s not even a dream. What does it smell like? Nothing in particular. // We’ve been in exile. For a while, theatre wasn’t very welcome here. Having found itself, perhaps somewhat unwittingly, in a coalition with new media arts, it had allowed itself to appear to some people to stand for nothing in particular. It was a sector described as lacking “depth and cultural urgency”, and we were duly outraged. Some of us said we never wanted to come here in the first place, and some of us felt that the relevant powers wouldn’t be able to pick out depth and cultural urgency in a line-up of six items or less. But didn’t it, come on, didn’t it slightly feel like a punishment? And didn’t we go off that night and see a performance somewhere and secretly think, hm, that was actually kind of lacking in depth and cultural urgency? Didn’t we worry a bit about our own work? Didn’t it feel just a little bit like a punishment? Wasn’t there a moment of feeling caught out?
Showing posts with label dog. Show all posts
Showing posts with label dog. Show all posts
Friday, May 28, 2010
Labels:
caught out,
commitment,
consumerism,
depth,
dog,
dreams,
exile,
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institution,
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new media,
outrage,
punishment,
roles,
smell,
urgency,
worrying
Thursday, May 27, 2010
2.
In this dream, it’s 1996 and I am a dog. We are in a theatre. In fact we’re in this theatre. There’s a man on stage with a fake bomb, made out of fake sticks of dynamite, strapped to his chest, and he’s talking sort of ironically about stage craft. Some people in the audience are laughing and some aren’t. // As a dog, I find it hard to imagine whether I would be laughing or not if I were a human. My vision goes blurry for a moment. The dynamite looks like sausages. // I am watching from the side of the stage. No one has seen me. I have a bomb strapped to my chest. It is real. // I want to sniff the fake dynamite strapped to the man’s chest. I want to know if it smells like dynamite. Or sausages. Or maybe it has no smell. // I trot out on to the stage. I am a real dog and I have a real bomb strapped to my body. I am breathing. The bomb is ticking. I have nothing to say about stagecraft, and I have no real use for, like, the ironic as a category. And my bomb smells like dynamite.
In this dream, it’s 1996 and I am a dog. We are in a theatre. In fact we’re in this theatre. There’s a man on stage with a fake bomb, made out of fake sticks of dynamite, strapped to his chest, and he’s talking sort of ironically about stage craft. Some people in the audience are laughing and some aren’t. // As a dog, I find it hard to imagine whether I would be laughing or not if I were a human. My vision goes blurry for a moment. The dynamite looks like sausages. // I am watching from the side of the stage. No one has seen me. I have a bomb strapped to my chest. It is real. // I want to sniff the fake dynamite strapped to the man’s chest. I want to know if it smells like dynamite. Or sausages. Or maybe it has no smell. // I trot out on to the stage. I am a real dog and I have a real bomb strapped to my body. I am breathing. The bomb is ticking. I have nothing to say about stagecraft, and I have no real use for, like, the ironic as a category. And my bomb smells like dynamite.
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